Aki Lumi trace No.610
painting, ink drawing on paper, 33 x 28 cm, 2015
Aki Lumi trace No.611
painting, ink drawing on paper, 34 x 24 cm, 2015
Aki Lumi Trace No.701
ink drawing on paper, 81 x 56 cm, 2014
Aki Lumi Trace No.700
ink drawing on paper, 23 x 21 cm, 2014
Aki Lumi Trace No.609
ink drawing and silver paint, 47 x 41 cm, 2014
Aki Lumi Trace No.608
ink drawing and gold paint, 46 x 41 cm, 2014
Aki Lumi Trace No.603
ink drawing on paper, 33 x 28 cm, 2013
Aki Lumi Trace No.602
ink drawing on paper, 43 x 34 cm, 2013
Aki Lumi Trace No.601
ink drawing on paper, 34 x 28 cm, 2013
Aki Lumi Trace No.600
ink drawing on paper, 43 x 34 cm, 2013
Aki Lumi trace E-06
pigmented ink drawing on kraft paper, 34 x 14 cm, 2008
Aki Lumi trace E-05
pigmented ink drawing on kraft paper, 29 x 23 cm, 2010
Aki Lumi “trace E-01″
drawing on the paper, 21 x 23 cm, 2004
Aki Lumi Trace No.1004
ink drawing on paper, 63 x 50.5 cm, 2010
Aki Lumi trace No.1003
pigmented ink drawing on kraft paper, 61 x 50 cm, 2010
Aki Lumi trace No.1001
pigmented ink drawing on kraft paper, 36 x 29 cm, 2010
Aki Lumi Trace No.503
ink drawing on paper, 57 x 38 cm, 2013
Aki Lumi trace No.530
ink drawing, 152 x 83 cm, 2004
Aki Lumi trace No.520
drawing on the paper, 97 x 150 cm, 2004
Aki Lumi trace No.04A
dessin au crayon sur le papier aquarelle, 100 x 150 cm, 2004
Aki Lumi trace No.605
painting, ink drawing on paper, 71 x 102 cm, 2014
Aki Lumi trace No.604
painting, ink drawing on paper, 80 x 60 cm, 2014
“路径”这组绘画作品，是用近视或者微视的手法描绘的。换言之，这组作品就像设计图似的，把画纸铺在桌子上，运用尺子和圆规，非常小心地绘制出每一条线条。这上面的细线，每一个单位都不是整体中的一部分。归根结底，这些线条并没有让任何东西得到表现，也不是抽象之物。没有上下左右的意义，从整体上看，或者贴近了观看细节，都没有发现有什么区别。CPU的设计图、石油机械设备的系统图、智能化大厦的管理系统、表示都市各种功能的图纸以及都市本身的俯瞰图、网状组织的概念图等也都具有同样的不规则的、碎片式的面貌。甚至连从生物进化论、数学式的合理性导入的现代宇宙论，也是如此。所有这些人类的“发明”之物都在表现某种相同的世界图像。那么这样的世界是怎么制作出来的呢？认知与思考形式的复制究竟是否可能呢？
阿琦·路迷